Ken Solomon - Rally For Good
Triggering your imagination
Ken Solomon Phil's in the Blanks
Career Highlights
At 19 years old, Ken started as an intern in the research department of TV syndication business on at Paramount
Ken tells story about how he dressed starting out with Gucci Loafers
Greg Meidel guided him to first “real” job
Came up through syndication and then went to network
Content is King: Television Then and Now
What makes Ken feel good about the new media?
1. This is a people business
2. You have to be entertaining... fundamentally the art of it isn’t going away
“Encore Telecast”
1. Relentless pursuit of best talent we can get to do it
2. It’s just hard to know where to go now a days to find things...
Tennis Channel is the opposite of forced scarcity
The Future of Sports Betting/Gambling
“ Fantasies are a big part of what we do on the air during the US Open.”
Be The Change In The World: 4 things in common among mass shooters since 1966
1. Childhood trauma
2. Personal crisis at the time
3. Examples that validate their feelings
4. Access to a firearm
DP 80% of school shooters tell someone what they are going to do and when
70% tell two or more
If you see something, say something and do something - Dr. Phil
Great insights on media and passion! The point about discovery being hard really resonates. I also found ai website prompts helpful for building my site.
Great article about passion in rallying. I've found Faceless Reels really useful for creating quick promotional videos for events like this.
Great insights on being a champion! It makes me think of My Slain Dragon Bride where passion plays a huge role in the story too.
Most articles skip important details, but this one explains everything in a very straightforward manner. The part about 82 lottery login was written in a way that even a first-time user can understand. I appreciate the effort behind this guide. It's refreshing to read content that actually focuses on helping readers instead of just filling space.
The bit about it being “hard to know where to go now to find things” feels like the truest media critique—there’s more content than ever, but fewer shared maps. That’s why curators and strong programming still matter even in the algorithm era. This also weirdly reminds me of how simple systems can still work if you know the rules, like caesar cipher—not because it’s advanced, just because it’s legible.